Established in 1956, The Eurovision Song Contest is an annual international song competition organized by the European Broadcasting Union, bringing together countries from Europe and beyond in a vibrant celebration of music, culture, and entertainment.

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Guide to Eurovision Song Contest 2025 Tickets

Eurovision Song Contest Tickets

Buy Eurovision Song Contest Tickets at Ticombo –100% safe, secure and guaranteed! Experience the flamboyant performances, technical brilliance, and unmatched cultural spectacle live from Europe's most prestigious musical stage.

The Dazzling Legacy of Europe's Most Beloved Cultural Institution

The inaugural Eurovision Song Contest in 1956 laid the foundation for what evolved into the longest-running annual television music competition in the world and Europe’s most-watched non-sporting event. Those first broadcasts, which saw only seven countries come together in Switzerland with little production value, laid the groundwork for cultural exchange that has engrossed generations through decades of division and unity on and between continental shores. Over its seven-decade history, the show’s evolution — from humble black-and-white broadcasts to the high-tech extravaganzas of today, with their fireworks and elaborate staging and state-of-the-art visual gear — has yielded an astonishing patchwork of unforgettable moments: ABBA’s breakthrough with “Waterloo,” Céline Dion’s win on behalf of Switzerland, Conchita Wurst’s bearded watershed, Salvador Sobral’s jazz-tinged minimalism. What is at stake in the contest goes beyond its representational quality — although it’s there to an extent, too — and lies instead in a heady combination of these things: the logics of national identity, of musical programs, of an earnest musical composition with its bombastic stage presence, of decadesold voting blocs challenged by fast-moving contemporary politics. This uniqueness sets Eurovision apart from traditional music competition, creating an annual spectacle that marries artistic accomplishment, national honor and geopolitical intrigue into something that’s likely to be etched in the history books as more than mere entertainment.

The evolution of the competition reflects Europe’s larger evolution — from a post-war reconciliation project to a Cold War cultural battleground to a post-Soviet inclusive celebration that captured the continent’s expanded frontiers and fluid identities. From the straightforward ballads that dominated the first decades to the multihued pop extravaganzas of recent years, Eurovision’s evolution tracks musical change, even as it retains the DNA of something other than just a serious-minded musical showcase — a gloriously camp exercise in entertainment. The format of the competition has been refined logically over the decades — from a handful of countries to more than 40, from the inclusion of semi-finals to allow for the greater number of entrants, through various forms of voting-structures, from a professional jury to a brief period of ‘televoting’ — but the essence persists. What has not changed is the singular challenge to artists participating in the event: to devise works that straddle, in various ways, the divide between national distinctiveness and international interest, technical excellence and emotional resonance, serious musical gravitas and thrilling visual spectacle. And even as this is an age of the streaming platform and the fragmented audience, winning Eurovision tickets is still a pilgrimage for devoted “Eurofans,” a chance to engage with the electrifying shared atmosphere that the TV show never quite does justice to. The unique environment of the competition — part serious musical contest, part diplomatic exchange, part kitsch cultural celebration — sets it apart from a run-of-the-mill concert or festival, creating an intangible quality by which even casual viewers can identify its rare significance within, and relevance to, European cultural identity.

Competition Rundown: National Finals to Grand Final Event

With its elaborate competition structure, Eurovision makes Europe’s most thorough musical contest, testing musicians on multiple levels of performance before steadily punishing audiences. The road starts with national selection competitions — like Finland’s rock-based Uuden Musiikin Kilpailu and Sweden’s seven-week Melodifestivalen spectacle — in which homebound television audiences choose their ambassadors, often from multiple rounds of voting. These national competitions — staged between December and March — garner impressive viewing figures in the countries that participate, and help to establish early favorites through the international attention of competing fan communities. All participating nations (around 40 in total, including non-European countries such as Australia and Israel) have chosen representatives and songs by March, and the performers and delegations are, by that point, already in the midst of prepping for their on-stage appearances. May is competition week in the host city, with rehearsals leading up to two semi-finals usually on Tuesday and Thursday, each of which cuts around 10 entries but also decides 26 Grand Final qualifiers joining pre-qualified “Big Five” (France, Germany, Italy, Spain, United Kingdom) and the hosting country. Saturday’s Grand Final is the most extravagant production in European television’s annual calendar, usually luring an audience of 200 million across continents to watch the three-hour display of song followed by the infamous protracted voting segment, fusing scores of the jury with results from TV voting that are often a vehicle for tense, last-minute upsets.

The 2025 competition retains this established format while adapting it for the required modernization. The contest continues to be held to its stringent three-minute song limit and banning purely instrumental works, although since 1999 there are no restrictions on the language used (some argue English has become the default language in Eurovision entries purely for the sake of being accessible). Vocals must be live with backing track instrumentation, and a group performancing limitation to six people means staging becomes problematic for complex productions. The past few years have brought innovations like augmented reality components, elaborate projection mapping, and intricate lighting designs that are creating concert experiences that feel more integrated between visual and aural sides than in years past. That combination of old and new is what gives Eurovision its distinctive flavor; it embraces how entertainment changes over time, while safeguarding the essentials that make the competition what it is — the huge range of musical styles, the declarations of national identity, the unpredictable patterns of voting. For fans who manage to get Eurovision tickets, this means witnessing music’s most thoroughgoing international show of shows — where next-wave staging goes up against cultural representation on a backdrop that changes from something out of Copenhagen industrial chic to Lisbon riverfront fancy, to Tel Aviv Mediterranean modernity to Liverpool musical legacy. Each host also crafts atmospheric particular to that country’s cultural traditions, all while accommodating Eurovision’s established production needs.

Next Eurovision Song Contest 2025

The Eurovision Song Contest 2025 is the 69th occurrence of Eurovision Song Contest, taking place after the victory of the previous year's winning country hosting the well loved contest by last winning country, with around 40 countries participating in it in the two semi-finals and Saturday's Grand Final. Although the host city has yet to be chosen (the 2024 contest is still underway) the competition will follow a familiar format, with semi-finals on Tuesday, 13 May and Thursday, 15 May and the Grand Final on Saturday, 17 May. These dates preserve Eurovision's traditional May window, giving adequate time to prepare following national selections and avoiding clashes with major sporting events. The host broadcaster — decided through the previous year’s winning country — will create its own unique element theme across its visual identity, postcards presented before each performance and interval acts featuring local culture and international guest artists. This focus on more host-specific details allows each Eurovision to be an individual event while still adhering to the basic structure and technical specifications of the competition itself.

As previously described and known, these are the "Big Five" nations (France, Germany, Italy, Spain, United Kingdom) in addition to and hosting country (it automatically qualifies alongside 960 participants competing in semi-finals, with ten qualifiers in each). For fans lucky enough to score Eurovision tickets, it is all about the Eurovision shows — with two viewing opportunities per semi-final and for the Grand Final, slipped in on the (semi-rehearsal) "family shows" an afternoon show that is less salons and more atmosphere, then again in the evening as an all-singing, all-dancing affair.

First Semi-Final Events

May 12, 2025: First Semi-Final Evening Preview Eurovision Song Contest 2025 Tickets
May 13, 2025: First Semi-Final Afternoon Preview Eurovision Song Contest 2025 Tickets
May 13, 2025: First Semi-Final Live TV Show Eurovision Song Contest 2025 Tickets
May 13, 2025: First Semi-Final Eurovision Song Contest 2025 Tickets

Second Semi-Final Events

May 14, 2025: Second Semi-Final Evening Preview Eurovision Song Contest 2025 Tickets
May 15, 2025: Second Semi-Final Afternoon Preview Eurovision Song Contest 2025 Tickets
May 15, 2025: Second Semi-Final Live TV Show Eurovision Song Contest 2025 Tickets
May 15, 2025: Second Semi-Final Eurovision Song Contest 2025 Tickets

Grand Final Events

May 16, 2025: Grand Final Evening Preview Eurovision Song Contest 2025 Tickets
May 17, 2025: Grand Final Afternoon Preview Eurovision Song Contest 2025 Tickets
May 17, 2025: Grand Final Live TV Show Eurovision Song Contest 2025 Tickets
May 17, 2025: Grand Final Public Viewing Show Eurovision Song Contest 2025 Tickets

Location: St. Jacobshalle & St. Jacobs Park, Basel, Switzerland

When's the Best Time to Buy Eurovision Song Contest Tickets?

New to Eurovision and rearing to witness it in the flesh? Tickets for the competition go on sale in a number of waves, starting about three months before the actual event (which, for this year, means February; these initial releases are split between packages that span multiple appearances). These initial offerings often comprise combination packages providing for full semi-final immersions (afternoon dress rehearsal + evening live show), or Grand Final packages (combining Friday rehearsals with Saturday official broadcast). Individual show tickets usually come next in successive releases and vary in cost depending on the performance, seats and vantage points. The most popular ones — Grand Final live broadcast — actually get the first-buy-process, as, even the standard seating areas typically sell out within a few minutes and cost around €250-€500. Semi-final airings still perform solidly but provide marginally longer availability windows and dress rehearsals — effectively the same show but with a more relaxed atmosphere around it, and thus better value for money and potentially more accessible for budget Romania fans or those looking for multiple show experience rather than the loan official broadcast experience.

The configuration of the venue also plays a significant role in both availability and viewing experience, and Eurovision’s elaborate staging — which regularly includes large LED screens, intricate lighting rigs and multiple performance areas — means that perspectives can vary widely depending on where you are sitting. The closest proximity to the performers and stage is typically at floor level, but visibility can be incredibly limited if the performance has elaborate overhead elements or movement up and down stage, while most elevated positions offer a vantage point from the side of the stage for a comprehensive view of entire productions, though some sacrifices in performer details may occur due. The competition’s elaborate nine-camera broadcast operation creates potential viewing obstruction in some seating sections as camera equipment moves around throughout performances, an issue reflected in tiered pricing structures. Exclusive platforms such as Ticombo streamlining the purchasing process, sidestepping the traditional hurdles of navigating high-demand releases via official platforms whilst allowing for secured entry into the event. Pricing depends on show relevance (Grand Final attracts the highest price), seating location (floor or tiered sections) as well as whether or not you will be seen on-screen (the cheap seats are not camera facing). When following the release schedule, it remains absolutely crucial to stay tuned to official Eurovision social media accounts, as these have regular ticket releases at very short notice as production layouts are ultimately confirmed and areas previously blocked off are released to public sale. Local — be it hotel, apartment or whatever — is strongly recommended to be booked in parallel to ticket purchase, for international visitors, as host cities usually hit 100% capacity during Eurovision week and prices can go up a lot compared to normal times.