System Of A Down in concert
System Of A Down, Queens of the Stone Age and Acid Bath in concert
System Of A Down in concert
System Of A Down in concert
System Of A Down in concert
System Of A Down in concert
System Of A Down in concert
System Of A Down in concert
System Of A Down, Queens of the Stone Age and Acid Bath in concert
System of a Down London
System Of A Down — Stadium Tour (29 June–19 July 2026)
System Of A Down Tickets
System Of A Down Tour Information
The Armenian-American titans of metal will make a much-anticipated return to Europe in the summer of 2026, and fans are already salivating at the prospect. The quartet plans to reassert itself across multiple stadiums throughout the continent. Make no mistake, this isn't some nostalgia act performing endless festivals. It's a strategic series of appearances across the summer that will culminate in a kind of assault on the eardrums of concert-goers.
The venues they've chosen are all colossal, meaning that the band's half-orchestra, half-rock sound will have room to expand and contract with a kind of sonic precision that reflects the political roots of their music — much of which has come as a bicameral rebuke in a series of events that System Of A Down rarely bothers to criticize directly. These are big events built for enormous audiences, but you can expect them to retain the kind of raw, in-your-face energy that the group has always brought to its live shows. What they've done post-reunion is pile on a couple of massive "production numbers" to accompany the brute force of their performance, for an audience too big to fit into any traditional-size venue that's still packed with the lightning and thunder that electrified their rise to the top. A performance by this group isn't just a simple concussive head-on experience; it's an audio-visual assault that mows down the audience with a superior production that is as dense with a certain kind of social, political, or simply game-changing content in the bargain as the band's performance is with a dense network of devilish time signatures and vertiginous key changes. Even though the quartet seems to be barely active, the undeniable alchemy among its members speaks volumes. Each member is a crucial component — each contribution distinguished by their unique sound and "warts and all" feel, as Anthony Decurtis of Rolling Stone put it. The venues these guys will be playing as lead-up to widely disparate, newly-reunited acts like My Chemical Romance certainly aren't built for the kind of music Doherty, Barat, and company play. But it's not some polished arena rock we're being fed here (there are enough of those acts already); what we see instead is the amount of tautness and intensity (and, granted, a fair amount of pure insanity) these guys have mustered. Indeed, part of what makes the act so special is that, during the moments of performance, the sheer force of the music renders the band as unlikely prisoners in an intimate confrontation with us, the audience.
Experience System Of A Down live in concert!
Armenian-descended musicians from four different families came together to form a band in 1998 that created a novel sound unheard of on the American music scene. Fusing elements from thrash metal, alt-rock, and traditional Armenian tunes, the band's music was refracted, through politically aware lyrics, into something consciously subversive — that is, "metal" — and something many thought might not be mainstream enough to sustain more than a cult following. By the end of 2001, their first two albums and the lead-up to Toxicity — which hit No. 1 that September — had given System of a Down the phenomenal success they stand accused of today.
The other weird thing is that the mainstream almost inarguably hadn't come up with a better band by the time System put out Toxicity, and probably not since. O.B.'s delivered sharp anti-war rhetoric surrounded by compelling vocal harmonies, while "Question!" took on existential themes in an intense but compellingly musical manner. This album debuted at No. 1 on the Billboard 200, fully demonstrating the band's continued commercial potency despite, or in part because of, their insistence on using their platform both for experimental musical purposes and for political messaging. That issue is not what topples the record — it's a master class in making aggression register like a snarl and earworms register like a supplicant.
System Of A Down Greatest Hits
Hypnotize
The follow-up to Mesmerize, which arrived just six months later in November 2005, seemed to have no shortage of topical fodder to draw on. Yet, in the artwork, Hypnotize serves as the right half of a double album. Their second two-act limited series in the tradition of those magnificent double albums of the 1970s, Mesmerize/Hypnotize peaks the band's prodigious output in the mid-2000s. If individual songs left an impression, it was perhaps in tandem with their other halves, sister tracks found on Hypnotize.
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Latest System Of A Down News
Yes, Europe is finally getting official dates with System Of A Down, but even better: more production and probable special guests. There has been very little, if any, official confirmation of new studio material on the horizon, so for now, it looks as though we're going to get the classic hits. However, even in that area, System Of A Down has never shied away from mixing it up a bit and throwing in a few surprises. You can't discount the possibility that a verse will turn up in a song performed live that hasn't been laid down on a record. In the end, you won't stump an art major by asking them to go into detail about the band's setlists. The secondary market signifies that prices fluctuate with availability and demand — tracking ticket listings over a good chunk of time yields fair market values for preferred section(s). Successful bilevel ticketing (step 1, entry to the grounds; step 2, entry to the built environment) for events at the scale and payoff of Coachella staves off the necessity of groveling before the resale gods. The fair market values the secondary market yields are of course no consolation if you think ticket prices are too high from the get-go. But they are still what most people pay, and they are a much colder comfort when you consider you could have gone practically four days (and could have seen about two dozen acts) for those prices without buying any tickets to begin with.